In Spain, two new fretted string instruments related to the lute emerged in late medieval times and spread around the Western world. These were the vihuela (Spanish guitar) and the viol. Our modern, classical guitar is a direct descendant of the vihuela. Because it was plucked it was often called vihuela de mano (hand guitar). Related to it was a Spanish instrument called the vihuela de arco (bowed guitar), better known as the viol. The viol was developed in Spain in the late 1400s. It had six strings and was fretted and tuned like the lute and vihuela, but it was bowed, not plucked. It came in different sizes and was played with the instrument resting on the lap and legs. It is often called by its Italian name viola da gamba (leg viol). Having entered Italy from Spain, it quickly spread from there throughout Western Europe.
The violin is slightly younger than the viol and emerged in Renaissance Italy. It was portable and held off the shoulder. Its small size caused it to produce higher pitches, and because of its brighter sound it was often preferred for dance music. Throughout the sixteenth century, the viol was considered the aristocrat of string instruments whereas the violin was more low-class, appropriate for semi-professional musicians to play for dancing in taverns. Not until the seventeenth century did it emerge as the dominant bowed string instrument. The violin family now consists of the violin, viola and cello along with the double bass. Italian instrument builders developed the art of violin-making to a peak that has never been surpassed.
Violins appeared after 1520 in northern Italian towns such as Mantua, Ferrara and above all Cremona. Antonio Stradivari (ca. 1644-1737) from Cremona was the most prominent member of a renowned family of instrument-makers. He is often known to the general public under the Latinized version of his name, Stradivarius, or the colloquial “Strad.” He was possibly a pupil of Nicolò Amati (1596-1684), who came from another Italian dynasty of violin-makers.
Thursday, April 01, 2010
The Brussels Journal: The Invention of the Violin and the Spanish Guitar
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