“Human” moments, centered around the demands of the body, break up the film’s stylistic uniformity. “I’ve thought a lot about how much the body interfered with some of the most romantic moments of my life,” de Wilde has said. “I love the comedy of fighting your body.” Not too long after we are introduced to Mr. Knightley, we see him naked in his bedroom. In another scene, he throws his jacket to the ground, and then himself, in love-sick frustration. (Flynn does justice to Knightley’s despair.) Emma warms her bare backside by the fireplace as she is helped into her clothes. When Mr. Knightley proposes to Emma, she gets a nosebleed, as if something inside her has snapped. These scenes offer a refreshing reprieve from the constrictions of social etiquette.
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