Monday, May 11, 2020

Eduardo Sasso Reviews Planet of the Humans

Planet of the Humans: Reviewing the Film and its Reviews

Fact-checking and physical limitations aside, a deeper and more fundamental issue that Planet of the Humans unveils is that of the societal story that we continue to tell ourselves, in one shape or another—be it green, orange, right, left, or center. And it’s the 300-year-old, now-taken-for-granted story of our increasingly urbanized, Techno-Industrial Age: namely, that we are the captains of our souls and the masters of our fates, and that we attain that fate through technology, production, and consumption.

In short, this societal narrative (including many ‘green’ versions of such narrative) has made us believe that we are above, front-and-center, while everything else is below, in the backstage. Under this worldview, ‘nature’ is not a ‘Home’ but a ‘resource’; we are not earthly humans but technological ‘citizens’ (and now virtual ‘Internauts’); countries are not made of communities of earth-dwellers but of abstract ‘markets’ of X or Y number of ‘consumers’. And thus our very language betrays us.

Scholars call this ‘anthropocentrism’ blended with ‘economism’. Others label it ‘speciesism’ and ‘technopoly’, even as one corporation praised it by making us sing “You got the whole world in your hands, with Mastercard at your command.”

As materialist historian Yuval Noah Harari has shown in the sixteenth chapter of Sapiens, this story championed by today’s economic system has become so pervasive that it now has all the elements of religion—however secular its scope. It tells us what to believe (economic growth will lead to the benefit of all), how to behave (rational and disciplined at the workplace, unrestrained and narcissistic at the shopping mall), and what to value (“Life is Now”, as Visa trumpeted rather conveniently, and dogmatically).

The embedded documentary itself can be found here.

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