The liberal arts cultivate a way to respond to the world better. https://t.co/DIPDaPWHhl
— Public Discourse (@PublicDiscourse) December 4, 2020
Jessica Hooten Wilson
The liberal arts cultivate a way to respond to the world better. https://t.co/DIPDaPWHhl
— Public Discourse (@PublicDiscourse) December 4, 2020
Education and Devotion: A School of the Lord’s Service - Guest Article by Ferdi McDermott https://t.co/EBMTkpO5YK pic.twitter.com/1wezG6RHHM
— NLM (@NLMblog) December 3, 2020
We can redeem the culture in the twenty-first century, if we want to. Universities are essential to that project. The good news is that in Catholic higher education we don’t need to start from scratch. The institutions already exist to advance this project. They only need our encouragement, support, and the right leadership.
What I find most appealing about Heubeck’s proposal is that it combines the two different strategies that traditionalist conservatives propose, but that are generally regarded as mutually exclusive: retreat, in order to develop a non-liberal counterculture, and attack, in an attempt to retake the nation.
Support of an Elite More Valuable than Support of the Masses
We will initially operate according to the belief that it is more important to win over the elites (or create a new, better one) than to build up a mass movement. Furthermore, it is more important to have a few impassioned members than a large number of largely indifferent members. The amount of energy, élan, and self-assurance that we are able to inculcate in the leaders of our movement will ultimately determine its success or failure.
The new movement must be, in part, exclusive and elite. It must not be afraid to pass along a body of knowledge that is not readily accessible to and understandable by everyone. The strong appeal of a feeling of exclusivity and superiority will give our members a reason to endure the slings and arrows of popular disapproval.
The New Traditionalist movement will appeal to the masses, but not immediately. The ideas of the masses never come from the masses. To the extent that the masses are more conservative than the elites, this is primarily because the masses have a long collective memory, and they still value the beliefs articulated by a long-lost elite. The conservative instincts of the American people will continue to erode unless a new elite is formed to refresh that memory.
We must recognize that literature and philosophy do not appeal to the masses. This is why we must develop ways to spread our philosophy using non-rational means–especially the moving image.
California schools are making a big push for reading and writing. I know my children's elementary school requires 20 minutes of reading a night, starting in kindergarten. Children have a Reading Counts (Scholastic Books program where children take a computer test on books they've read) point goal they have to meet each grade period and point totals are posted for the class. It becomes a competition within the class. My children had to start writing structured paragraphs in first grade. They do a lot more writing than I ever did as a child.I have noticed this in the classroom as well. 5th and 6th graders are learning to write essays, a skill I didn't learn until 7th or 8th grade. Another example of accelerating the curriculum in order to make up (prevent) failure at the upper grades? I learned that my so-called "college writing" skills I picked up in HS were not really adequate for the college-level, as the course in rhetoric plus two years at Christendom showed me.
When men get a degree or go through a vocational program and then land a job, they’ve normally got 40+ years to contribute to increasing the wealth of society. Women “playing” career damage society:
1. They displace men for positions in college or vocational school.
2. Upon landing a job, they displace other men for the job position.
3. The increase in the labor pool drives down wages (supply & demand).
4. While in the labor pool, women are less effective and less productive than men.
5. Because they are in the labor pool and cannot compete with men, women support labor laws to enforce “equality” which burden businesses and can cause men to get fired due to some infringement or just to meet quotas.
6. When they leave the labor pool after becoming bored, there is now a hole than can be difficult to fill because the men who would normally fill it have been displaced for all the reasons above. There was recent discussion on some blog with a link to an article about this exact problem with physicians in the UK.
In some sense, I can agree with the comment that women were advised to pursue education and careers as the ONLY option. Women do NOT know what they want. They have to be guided. Most parents have so bought into feminism that they don’t see any other way. It’s a riot – or sad – talking to parents when they go into all the detail about choosing a college, going on campus visits, making sure she gets into the best school, etc., etc. You would think these parents would spend their time and energy on prepping their daughters for the most important life decision – choosing a man for marriage, how to make a husband happy and how to raise healthy children.
And yet, if parents were to advise their daughters to prep for marriage instead of a career, and there is a decent girl who truly wants to please her husband and raise a nice family,how would she find a man who’s in college? It would seem that the dating and courting scene would have to change as well and go back to earlier methods.
What was this thing called Western culture? Who created it? Who sanctioned it? Most important: What was so valuable about it? Why did it matter to study a poem by Blake, or ponder a Picasso, or comprehend the poetry latent in the religions of the world?
I'm not sure that teachers and scholars ever offered a good answer. The conservatives, protected by tenure, immersed in the minutiae of their fields, slammed the windows closed when the parade passed by. They went on with what they were doing. Those who concurred with the students bought mikes and drums and joined the march. They were much in demand in the news media—figures of great interest. The Washington Post was calling; the Times was on the other line. Was it true? Were the professors actually repudiating the works that they had purportedly been retained to preserve?
It was true—and there was more, the rebels yelled. They thought they would have the microphones in their hand all day and all of the night. They imagined that teaching Milton with an earring in one ear would never cease to fascinate the world.
But it did. The media—most inconstant of lovers—came and the media went, and the academy was left with its cultural authority in tatters. How could it be otherwise? The news outlets sell one thing above all else, and that is not so much the news as it is newness. What one buys when one buys a daily paper, what one purchases when one purchases a magazine, is the hypothesis that what is going on right now is amazing, unprecedented, stunning. Or at least worthy of intense concentration. What has happened in the past is of correspondingly less interest. In fact, it may be of barely any interest at all. Those who represented the claims of the past should never have imagined that the apostles of newness would give them a fair hearing, or a fair rendering, either.
Now the kids who were kids when the Western canon went on trial and received summary justice are working the levers of culture. They are the editors and the reviewers and the arts writers and the ones who interview the novelists and the poets (to the degree that anyone interviews the poets). Though the arts interest them, though they read this and they read that—there is one thing that makes them very nervous indeed about what they do. They are not comfortable with judgments of quality. They are not at ease with "the whole evaluation thing."
They may sense that Blake's Songs of Innocence and Experience are in some manner more valuable, more worth pondering, more worth preserving than The Simpsons. They may sense as much. But they do not have the terminology to explain why. They never heard the arguments. The professors who should have been providing the arguments when the No More Western Culture marches were going on never made a significant peep. They never quoted Matthew Arnold on the best that's been thought and said—that would have been embarrassing. They never quoted Emerson on the right use of reading—that might have been silly. (It's to inspire.) They never told their students how Wordsworth had saved Mill's life by restoring to him his ability to feel. They never showed why difficult pleasures might be superior to easy ones. They never even cited Wilde on the value of pure and simple literary pleasure.
The academy failed and continues to fail to answer the question of value, or even to echo the best of the existing answers. But entertainment culture suffers no such difficulty. Its rationale is simple, clear, potent: The products of the culture industry are good because they make you feel good. They produce immediate and readily perceptible pleasure. Beat that, Alfred Lord Tennyson. Touch it if you can, Emily Dickinson.
So the arbiters of culture—our former students—went the logical way. They said: If it makes you feel good, it must be good. If Stephen King and John Grisham bring pleasure, why then, let us applaud them. Let's give them awards. Let's break down the walls of the old clubs and colleges and give them entry forthwith. The only really important question to pose about a novel by Stephen King, we now know, is whether it offers a vintage draught of the Stephen King experience. Does it deliver the spine-shaking chills of great King efforts past? Is the mayhem cranked to the desirable degree? Do homebody sadist and ordinary masochist get what they want and need from the product?