Showing posts with label Ensemble Organum. Show all posts
Showing posts with label Ensemble Organum. Show all posts
Sunday, April 12, 2020
Wednesday, March 25, 2020
B.C. Sacred Music Symposium
A hopeful sign for the Latin churches in British Columbia? The video advertises a diverse and young group of people who are interested in preserving the Latin patrimony of sacred music.
NLM
Is the Solesmes interpretation still being handed on as THE tradition or do we have a competing interpretations in North America now? Where is the innovation or the attempt to do something different, other than from musicians who specialize in early music and historical reconstruction? Too bad Cappella Romana isn't interested in doing such reconstructions, specializing as they do in Byzantine and Slavic sacred music.
Different interpretations of Gregorian chant may sound different with respect to the music, but not to the range of singing, and I have not found an American group that incorporates a larger range of male voices. The English sound of Anglican sacred music sounds like it has more T, and the same is true of Catholic choirs in the UK. Is it just the lack of male voices in the lower ranges? Or is there something about the Gregorian melodies as well? I don't think so -- I can hear a wide range of male voices in recordings from Solesmes. So it is something about the interpretation and/or the melodies.
Some historical recreations of "old Roman chant," including a couple of tracks by Ensemble Organum:
NLM
Is the Solesmes interpretation still being handed on as THE tradition or do we have a competing interpretations in North America now? Where is the innovation or the attempt to do something different, other than from musicians who specialize in early music and historical reconstruction? Too bad Cappella Romana isn't interested in doing such reconstructions, specializing as they do in Byzantine and Slavic sacred music.
Different interpretations of Gregorian chant may sound different with respect to the music, but not to the range of singing, and I have not found an American group that incorporates a larger range of male voices. The English sound of Anglican sacred music sounds like it has more T, and the same is true of Catholic choirs in the UK. Is it just the lack of male voices in the lower ranges? Or is there something about the Gregorian melodies as well? I don't think so -- I can hear a wide range of male voices in recordings from Solesmes. So it is something about the interpretation and/or the melodies.
Some historical recreations of "old Roman chant," including a couple of tracks by Ensemble Organum:
Sunday, May 24, 2015
Sunday, June 16, 2013
Press Conference with Marcel Peres
From April 2013: 11 MARCEL PERES καλλιτεχνικός διευθυνής Ensemble Organum & CIRMA .
The info for this clip says it's Ensemble Organum singing; I have not heard it before.
The info for this clip says it's Ensemble Organum singing; I have not heard it before.
Monday, January 21, 2013
Sunday, January 20, 2013
Friday, April 22, 2011
Thursday, April 21, 2011
Tuesday, August 03, 2010
Wednesday, May 26, 2010
The Christian Knight explained... by a Knight
Jack Donovan talks about Geoffroi de Charny's writings on being a knight in Way of the Knight.
"Fascinating."
Amazon: A Knight's Own Book of Chivalry and The Book of Chivalry of Geoffroi de Charny: Text, Context, and Translation (U PA Press)
The Book of Chivalry is not a manual on tactics or technique, it is a treatise on how to live -- and die -- like a knight. It describes "The Way of the Knight." And, importantly, it was written --likely dictated aloud to a scribe as the Hagakure was -- by an actual knight. Charny was not a monk or a poet or a politician or a novelist or a Victorian or a modern historian. He was a battle tested knight held in high regard as an exemplar of chivalry by his king and his peers. Chivalry was his Way.
...
The word chivalry is most often used today to denote some sort of Victorian gentlemanliness, especially deference toward women. While Charny notes that men can triumph when they put their hearts into winning the love of a lady, he also says that such men are "so naïve that they are unaware of the great honor they could win through deeds of arms." He acknowledges the draw of women and their ability to motivate men, and advises both men and women to love loyally, but sees obsession with romance as a distraction from winning honor and places romance in perspective. The word chivalry comes from the French chevalier, meaning horseman, and it is the French equivalent to the word English word "knight." The knight was a warrior, analogous to the samurai. His primary function was to kill men in honorable combat for his lord, his King, his God, and occasionally just on general principle. The Knight did not exist merely to impress and fawn over the ladies. Chivalry was the Way of the knight, his code of conduct, his standard of honor. And it was with fostering knights of exemplary worth, courage and honor that Geoffroi de Charny was primarily concerned.
"Fascinating."
Amazon: A Knight's Own Book of Chivalry and The Book of Chivalry of Geoffroi de Charny: Text, Context, and Translation (U PA Press)
Thursday, December 24, 2009
Ensemble Organum has a new CD out. I believe it is all new material, based on recently-discovered manuscripts dating from the 11th century.
Wednesday, November 18, 2009
NLM: Credo VII, which is to say Seven
See comments on interpretations of Chant and Marcel Pérès.
Edit. This Richard Llewellyn is posting comments???
Juventutem/WYD 2005 Soundtrack: O Magnum Mysterium (Lauridsen)
Juventutem - JMJ Cologne 2005
Fœderatio Internationalis Juventutem - Sacred Music
Fœderatio Internationalis Juventutem - Soutien par les Arts Sacrés
See comments on interpretations of Chant and Marcel Pérès.
Edit. This Richard Llewellyn is posting comments???
Juventutem/WYD 2005 Soundtrack: O Magnum Mysterium (Lauridsen)
Juventutem - JMJ Cologne 2005
Fœderatio Internationalis Juventutem - Sacred Music
Fœderatio Internationalis Juventutem - Soutien par les Arts Sacrés
Saturday, October 31, 2009
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