Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Monday, August 21, 2023

Julian May on Seamus Heaney

Tuesday, April 18, 2023

Winters in the World

Saturday, August 07, 2021

Anglo-Saxon Harvest Poetry for Autumn

Friday, November 27, 2020

Marly Youmans Interview



Friday, May 15, 2020

Monday, December 31, 2018

Sunday, August 27, 2017

Thursday, July 27, 2017

Joseph Pearce Writes a Play about Siegfried Sasson and Wilfred Owen

CWR Dispatch: Joseph Pearce reflects on his “dramatic verse tapestry” about two “war poets”

“I really have to thank God, the giver of the Muse, the source of all true inspiration,” says the prolific biographer and critic, “for enabling me to assist in the bringing of this wonderful thing”—Death Comes for the War Poets—”into being.”

Wednesday, November 11, 2015

Monday, May 11, 2015

750th Anniversary of Dante Alighieri's Birth

And Rod Dreher has a book on Dante...

Pope Commemorates the 750th Anniversary of Dante Alighieri's BirthHighlights Union Between Famed Italian Poet and the See of St. Peter

Posted by Zenit News Agency on Monday, May 4, 2015

Pope Francis has sent a message to the President of the Pontifical Council for Culture, Cardinal Gianfranco Ravasi on...

Posted by Vatican Radio - English Section on Monday, May 4, 2015

750 years ago Dante Alighieri was born, and today the long shadow of his art, wisdom and insight still shapes and...

Posted by Vatican Radio - English Section on Tuesday, May 5, 2015

Thursday, May 23, 2013

Some Good News for Tolkien Fans

Medievalists.net: The Fall of Arthur by J.R.R. Tolkien Released Today

But how many in Great Britain will read it? Will it rouse them from their stupor? (Look at the behavior of the bystanders in the murder in broad daylight of a British soldier in London yesterday.)


Saturday, September 24, 2011

Mark Anthony Signorelli on poetry

Poetry and the Common Language

If there is one principle which is nearly axiomatic among our contemporaries who regard themselves as poets and critics of poetry, it is that poetry should be written in the language of the everyday. This opinion can be traced back to Wordsworth’s famous assertion that poetry ought to be composed in “the real language of nature” or “the real language of men”—further evidence that we have not yet left behind the Romantic era and its presuppositions. Yet even among the New Critics, who were in general so suspicious of the Romantic project, this standard of sound poetic practice is affirmed; so we find F. R. Leavis praising Eliot’s verse because “its staple idiom and movement derive immediately from modern speech.” Our contemporaries, especially among those referred to as the New Formalists, echo this belief; thus Dana Gioia tells us that he strives to keep his language “contemporary,” and critic Robert McPhillips notes that New Formalism is marked by its “colloquial diction.”